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Exhibitions and Projects
Revelations | 6 Jun. 2024 – 4 Sep. 2024

Revelations: Vlaho Bukovac, Pipa Arko, née Tavčar, 1918

Vlaho Bukovac (Cavtat, 1855 – Prague, 1922) is the most important Croatian painter from the turn of the 19th to the 20th century, a representative of academic realism, who also mastered plein-air painting and Symbolism. In addition to portraits, he painted nudes, large figural compositions and landscape studies. He studied at the École des Beaux-arts in Paris between 1877 and 1880, exhibited regularly at the Paris Salons, and from 1880 onwards ran his own studio in the French capital. He painted portraits of the high society, and, in 1882–1883, when he visited the court in Belgrade, members of the royal family. Between 1884 and 1885, he visited Dalmatia, and in 1893, he moved to Zagreb, where he built a house and a studio and became the central figure of contemporary artistic manifestations. He was also one of the founders of the Secessionist Croatian Artists' Society, and encouraged young artists to paint out in the open. He then lived in Cavtat and Vienna until 1903, when he became first an associate (1903) and then a tenured (1910) professor at the Academy in Prague, where he taught until his death.
The National Gallery of Slovenia holds four of his paintings – Andromeda (1886) from his Paris period, in a dark colour palette, Portrait of Ivka Vranyczany (1894) from the Zagreb period, and With the Fortune Teller (1914) and Portrait of Pipa Arko, née Tavčar (1918), both painted with the short Post-Impressionist strokes typical of his Prague period.

Josipina Bogomila (Pipa) Arko, née Tavčar (1891–1974), was daughter of the lawyer, politician and writer Ivan Tavčar (1851–1923) and Franja Tavčar, née Košenini (1868–1938), the main bourgeois figure of the liberal women's movement in Slovenian lands. Pipa took an active part in the charitable activities led by her mother Franja with the Ladies of the Nation, for example collecting and making dresses for poor pupils of state schools. She also showed some musical talent (her teacher was Matej Hubad, the headmaster of the conservatory) and already in the beginning of 1914, she performed as a soloist at the first concert of the Music Society in honour of the composers of the Ipavec family. That same year, Pipa married Vladimir Arko (1888–1945), who was of Slovenian origin but born in Zagreb. Arko was the son of a well-known Zagreb winemaker and cognac producer Mijo Arko, and after Vladimir Arko took over the family brewery, he expanded the production to also include liqueurs, rum, rakia, sparkling wine, and the sale of chemical products, metal and enamelled crockery, barrels, etc. He was one of the most influential organisers of economic life in Zagreb, also the co-founder of the Zagreb Stock Exchange (1918) and President of the Chamber of Commerce and Craft (1923–1928). He also paid great attention to the appearance of his products, especially the labels on the bottles of alcoholic beverages, which were designed by the Croatian artists Otto Antonini and Frano Branko Angeli Radovan, and the world-famous Hungarian artist Mihály Biró. The factory was nationalised after World War II and renamed Badel, and is still in operation today.

The increasing production required the renovation of the factories and the surrounding buildings, which was carried out by the Croatian architect Ignjat Fischer. A luxurious home for the couple was built as part of the complex, with no clear separation between private life and business. Pipa's private sitting salon, designed in the style of the Austrian architect Josef Hoffmann, stood out. In 1939, their home had to make way for the family house, the work of the Croatian architect Alfred Albini; with its moderate modernist style the house was an exception in the old part of Zagreb. Following her parents' example, Pipa continued her charitable activities after her marriage, donating money to various associations, collecting art and acting as a patron to artists. She and her husband had an extensive library of over four thousand books, some of which they donated to the National and University Library in Zagreb. Their home was furnished with works of art by the Old Masters, Viennese and East Asian porcelain, silverware, carpets, kilims, family portraits by painters Vlaho Bukovac, Bela Čikoš, Julius Meissner, etc., and works by contemporary painters, including paintings by Ivana Kobilca.

Author: Alenka Simončič

6 June – 4 September 2024
National Gallery of Slovenia
Prešernova 24
1000 Ljubljana